COLLECTING VICTORIAN SHELL SOUVENIRS
COLLECTING VICTORIAN SHELL SOUVENIRS
If the romance of the sea lures you, 19th century shell art antiques will stir up warm weather memories of sand, the soothing sounds of crashing waves, and sun-filled holidays. Today I'm sharing about COLLECTING VICTORIAN SHELL SOUVENIRS.
Remniscent of the majestic sailing ships and long sea voyages to the New World, these hand crafted shell works bring back the romantic notion of sailor’s daydreams of loved ones across the ocean.
I was honored when Victorian Homes Magazine published this in their summer 2017 issue. It's always exciting to share my love for antiques with you, here, and via a magazine. It should be out now, so if you adore Victorian manors and homes, this issue is particularly lovely. Think Downton Abbey. Gorgeous!!
Originally a shell work post I did a while ago, I added some photos of the latest acquisitions of Victorian shell work from FrenchGardenHouse.
This is what it looks like in the magazine. I love the colors of the font, and the shells at the top!
HISTORY
In the 17th century, the exotic shells brought back by the Dutch East India Company stimulated an infatuation for shells that took hold of European collectors. The very wealthy, along with royalty, collected the prized rare shells with great passion.
Dutch merchants opened a market specifically to sell these exotic rarities and newly discovered shell specimens. The upper classes of Europe collected the shells in their “cabinets of curiosity” {a room outfitted with display shelves and cases} - their private museum - to showcase a costly collection.
Architects designed and created grand "grottoes" covered in shells in many of the noble estates on the continent. Meant to be an enhancement to Italian Renaissance gardens so in favor, the shell covered grottos copied ancient Roman ones.
The French Queen Margaret, first wife of Henry IV of France, commissioned a shell grotto at Issy-les-Moulineaux. The “Grotto of Tethys” at Louis XIV’s Versailles was built in 1665 as an under the sea retreat for the king with precious stones, shells and mirrors. A century later, Louis XVI had a shell cottage built at Rambouillet for Marie Antoinette. Shells were popular in a big, big way!
During the early 18th century, the collecting craze for shells in Holland rivaled the Dutch madness for collecting tulip bulbs. Records show that at one auction in Amsterdam, a shell sold for more than paintings by Vermeer. The shells were so expensive they were regarded as investments. Famous painters of the era painted still lives of shells, presenting them as a precious and luxurious object.
Shellwork, grottos, and grand scale furniture either covered with shells or meant to imitate shells remained popular throughout royal houses during the next century, but it wasn't until the 1800's that shellwork truly came into vogue for the upper and middle classes.
VICTORIAN LADIES WORK
As ships brought back entire cargoes of shells for the whims of the aristocracy, it's not surprising that covering smaller objects with shells soon became fashionable for upper class ladies of leisure.
Victorian ladies could purchase shellwork supplies in Mrs. Roberson's shop on London's Grosvenor Square. Little packets were sold with shells already sorted and accompanied by printed patterns for forming shell flowers, boxes and frames. To attach shells to a decorative object, the shells were dipped into hot wax or glue, and arranged in fanciful designs. Shell art, or shell work, as it is also called, was a past time many Victorian society ladies enjoyed.
Even Queen Victoria was fond of shell art, she often had gifts or shell work portraits commissioned for her court favorites.
COTTAGE INDUSTRY
At the same time, enterprising working-class men and women who populated the port towns of France, Holland, and England found a way to craft and sell their handmade little "shell souvenirs" to bring much needed income to their households.
While it is true that some sailors might have created shellwork items, it was more common for them to purchase shellwork souvenirs in a port where their vessel stopped. After spending months away from their family, girlfriends, wives and mothers , sailors were eager to purchase a small souvenir to let these loved ones know they had been the only one in their heart and on their mind.
Most of the shellwork souvenirs were designed for women, small boxes, sewing drawers, little frames, small, sweet mementoes that a sailor could either ship or tuck into his "kit" to bring back home.
A shellwork industry sprang up world wide in many busy ports. The port of Barbados is thought to be the place where the Sailor’s Valentine, a two sided wood case filled with shell work, originated.
WHAT TO LOOK FOR
Collecting this once obscure Victorian shell craft is steadily gaining popularity today. As with all antiques, educate yourself by looking at examples of true antique shellwork boxes in museums and shops if possible.
Shell covered boxes are still being made today, and are beautiful in their own right. But if you wish to collect true antiques, follow this advice.
1. Shells. A tell-tale way to detect if you are purchasing a true antique is to look at the shells. Are they a little worn, do they have some patina? Is the box covered in shells that are not as common as those you can find anywhere today? Pelican’s feet shells, for instance, were favorites in the 1800’s and plentiful, these days they are extremely rare to find.
2. Materials. Among the most popular shell souvenirs made and bought in the 1800’s were Sailor’s Valentines, two octagonal wood frames joined by a hinge, filled with complimentary or matching shell art works under glass. Other favorites, shell roundels, sometimes called bull's eyes, or portholes, have colored prints of clipper ships and fishing boats under domed glass coverings. Authentic antique shell art is most often made with wood, or paper covered carton boxes.
3. Whimsy. Victorians had a great sense of whimsy, true antique shell boxes were often made in the shape of miniature pieces of furniture. Boxes may have a mirror inside the lid if it was intended as a jewelry casket, or a divided interior if meant as a sewing box. Especially sweet are the boxes that feature a seaside chromolithograph scrap on the top, or a silk covered heart pin cushion. Collectors prize the boxes made like miniature furniture most, as these are rare and were made in much less quantities.
4. Condition. The shell encrusted frames, boxes and miniature pieces of furniture were created with delicate shells. It is acceptable, almost desirable, to see some damage on a few shells.
The shell art boxes created with paper or board will have bent corners, these treasures are, after all, more than a 100 years old. Many boxes have had one or two small shell repairs, these delicate treasures are not diminished in beauty or value because of it.
5. Prices. Never was the adage “you get what you pay for” more true than with Victorian shell work. The true, antique pieces are highly and avidly collected, expect to pay anywhere from 150.00 for a very small and not as rare piece to 3000.00 and up for something rare and amazing. The average price point for exceptional small boxes is between 300.00 - 500.00, slightly more for unusual or miniature furniture boxes.
A collection of antique shell work is an alluring way to bring a touch of summer to your home, and a fascinating reminder of seafaring sailors who set off on great adventures around the world.
I hope you enjoyed getting to know a little more about the shell art of long ago.
WHAT KIND OF SOUVENIRS DO YOU BRING HOME FROM A TRIP? {I bring antiques...but you probably guessed that already, right?}
If the romance of the sea lures you, 19th century shell art antiques will stir up warm weather memories of sand, the soothing sounds of crashing waves, and sun-filled holidays. Today I'm sharing about COLLECTING VICTORIAN SHELL SOUVENIRS.
Remniscent of the majestic sailing ships and long sea voyages to the New World, these hand crafted shell works bring back the romantic notion of sailor’s daydreams of loved ones across the ocean.
I was honored when Victorian Homes Magazine published this in their summer 2017 issue. It's always exciting to share my love for antiques with you, here, and via a magazine. It should be out now, so if you adore Victorian manors and homes, this issue is particularly lovely. Think Downton Abbey. Gorgeous!!
Originally a shell work post I did a while ago, I added some photos of the latest acquisitions of Victorian shell work from FrenchGardenHouse.
This is what it looks like in the magazine. I love the colors of the font, and the shells at the top!
HISTORY
In the 17th century, the exotic shells brought back by the Dutch East India Company stimulated an infatuation for shells that took hold of European collectors. The very wealthy, along with royalty, collected the prized rare shells with great passion.
Dutch merchants opened a market specifically to sell these exotic rarities and newly discovered shell specimens. The upper classes of Europe collected the shells in their “cabinets of curiosity” {a room outfitted with display shelves and cases} - their private museum - to showcase a costly collection.
Architects designed and created grand "grottoes" covered in shells in many of the noble estates on the continent. Meant to be an enhancement to Italian Renaissance gardens so in favor, the shell covered grottos copied ancient Roman ones.
The French Queen Margaret, first wife of Henry IV of France, commissioned a shell grotto at Issy-les-Moulineaux. The “Grotto of Tethys” at Louis XIV’s Versailles was built in 1665 as an under the sea retreat for the king with precious stones, shells and mirrors. A century later, Louis XVI had a shell cottage built at Rambouillet for Marie Antoinette. Shells were popular in a big, big way!
During the early 18th century, the collecting craze for shells in Holland rivaled the Dutch madness for collecting tulip bulbs. Records show that at one auction in Amsterdam, a shell sold for more than paintings by Vermeer. The shells were so expensive they were regarded as investments. Famous painters of the era painted still lives of shells, presenting them as a precious and luxurious object.
Shellwork, grottos, and grand scale furniture either covered with shells or meant to imitate shells remained popular throughout royal houses during the next century, but it wasn't until the 1800's that shellwork truly came into vogue for the upper and middle classes.
VICTORIAN LADIES WORK
As ships brought back entire cargoes of shells for the whims of the aristocracy, it's not surprising that covering smaller objects with shells soon became fashionable for upper class ladies of leisure.
Victorian ladies could purchase shellwork supplies in Mrs. Roberson's shop on London's Grosvenor Square. Little packets were sold with shells already sorted and accompanied by printed patterns for forming shell flowers, boxes and frames. To attach shells to a decorative object, the shells were dipped into hot wax or glue, and arranged in fanciful designs. Shell art, or shell work, as it is also called, was a past time many Victorian society ladies enjoyed.
Even Queen Victoria was fond of shell art, she often had gifts or shell work portraits commissioned for her court favorites.
COTTAGE INDUSTRY
At the same time, enterprising working-class men and women who populated the port towns of France, Holland, and England found a way to craft and sell their handmade little "shell souvenirs" to bring much needed income to their households.
While it is true that some sailors might have created shellwork items, it was more common for them to purchase shellwork souvenirs in a port where their vessel stopped. After spending months away from their family, girlfriends, wives and mothers , sailors were eager to purchase a small souvenir to let these loved ones know they had been the only one in their heart and on their mind.
Most of the shellwork souvenirs were designed for women, small boxes, sewing drawers, little frames, small, sweet mementoes that a sailor could either ship or tuck into his "kit" to bring back home.
A shellwork industry sprang up world wide in many busy ports. The port of Barbados is thought to be the place where the Sailor’s Valentine, a two sided wood case filled with shell work, originated.
WHAT TO LOOK FOR
Collecting this once obscure Victorian shell craft is steadily gaining popularity today. As with all antiques, educate yourself by looking at examples of true antique shellwork boxes in museums and shops if possible.
Shell covered boxes are still being made today, and are beautiful in their own right. But if you wish to collect true antiques, follow this advice.
1. Shells. A tell-tale way to detect if you are purchasing a true antique is to look at the shells. Are they a little worn, do they have some patina? Is the box covered in shells that are not as common as those you can find anywhere today? Pelican’s feet shells, for instance, were favorites in the 1800’s and plentiful, these days they are extremely rare to find.
2. Materials. Among the most popular shell souvenirs made and bought in the 1800’s were Sailor’s Valentines, two octagonal wood frames joined by a hinge, filled with complimentary or matching shell art works under glass. Other favorites, shell roundels, sometimes called bull's eyes, or portholes, have colored prints of clipper ships and fishing boats under domed glass coverings. Authentic antique shell art is most often made with wood, or paper covered carton boxes.
3. Whimsy. Victorians had a great sense of whimsy, true antique shell boxes were often made in the shape of miniature pieces of furniture. Boxes may have a mirror inside the lid if it was intended as a jewelry casket, or a divided interior if meant as a sewing box. Especially sweet are the boxes that feature a seaside chromolithograph scrap on the top, or a silk covered heart pin cushion. Collectors prize the boxes made like miniature furniture most, as these are rare and were made in much less quantities.
4. Condition. The shell encrusted frames, boxes and miniature pieces of furniture were created with delicate shells. It is acceptable, almost desirable, to see some damage on a few shells.
The shell art boxes created with paper or board will have bent corners, these treasures are, after all, more than a 100 years old. Many boxes have had one or two small shell repairs, these delicate treasures are not diminished in beauty or value because of it.
5. Prices. Never was the adage “you get what you pay for” more true than with Victorian shell work. The true, antique pieces are highly and avidly collected, expect to pay anywhere from 150.00 for a very small and not as rare piece to 3000.00 and up for something rare and amazing. The average price point for exceptional small boxes is between 300.00 - 500.00, slightly more for unusual or miniature furniture boxes.
A collection of antique shell work is an alluring way to bring a touch of summer to your home, and a fascinating reminder of seafaring sailors who set off on great adventures around the world.
I love these antique treasures of the sea!
I hope you enjoyed getting to know a little more about the shell art of long ago.
WHAT KIND OF SOUVENIRS DO YOU BRING HOME FROM A TRIP? {I bring antiques...but you probably guessed that already, right?}
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Lidy
April 03, 2017
I love that memory, Gloria! You are right, when we were young, you could still find pastel colored shells in pinks, and purples, for instance, on the beaches here. I bet your Mom cherished those tiles with all her heart.